|
AUCTION Wednesday 21st September 2011 - 6.30pm Fine Art:: 1 - 87 Jewellery: 88 - 89; 95 - 124; 150 - 187 Watches: 90 - 94 Decorative Arts: 125 - 149; 188 - 210; 249 - 292 Furniture: 211 - 247 |
|
________________________________________________________ 1
Marshall Clifton (1903 1975)
Maritime
Museum, Cliff Street Fremantle
Watercolour
Signed
lower right
35
x 47cm $1,500 2,500
______________________________________________________
2
William Boissevain (b.1927)
Seated
Nude
Mixed
media
Signed
and dated 95, lower right
59
x 45cm $1,800 2,800
______________________________________________________
3
Greg Baker (b.1951)
Swan
River Scene With Yacht Club
Pastel
Signed,
lower right
43
x 63cm $600 1,000
______________________________________________________
4
Harald Vike (1906 1987)
Pastoral
Scene
Watercolour
Signed
lower left
25.5
x 38cm $600 - 900
______________________________________________________
5
Robert Juniper (b.1929)
Pilbara
Landscape
Oil
on canvas on board
Signed
and dated 69, lower left
34
x 24cm $2,600 3,600
______________________________________________________
6
Helen Norton (b.1961)
The
Menace in Ruins
Acrylic
on canvas
Signed
and dated 01, lower right
48
x 58cm $1,000 2,000
______________________________________________________
7
Robert Dickerson (b.1924)
The
Actress
Mixed
media
Signed
lower right
59
x 44cm $1,600 2,600
______________________________________________________
8
Herman Pekel (b.1956)
Shopping
Freo Markets
Oil
on canvas
Signed
lower right
102
x 78cm $2,000 3,500
______________________________________________________
9
William Boissevain (b.1927)
Seated
Nude
Mixed
media
Signed
lower right
64
x 52cm $1,800 2,500
______________________________________________________
10
Angela Broadley (b.1951)
The
Infiltration Kelly Cow Series
Oil
on canvas
Signed
lower right
40
x 122cm $900 1,500
______________________________________________________
11
Bruce Malloch (b.1936)
Boulder
Hotel
Oil
on card
Signed
lower right
38
x 56cm $2,000 3,000
______________________________________________________
12
Ken Taber (b.1942)
Lagoon
Acrylic
on board
Signed
lower left
49
x 69cm $1,300 1,600
______________________________________________________
13
David Boyd (b.1924)
Death
of Judas
Oil
on canvas
Signed
and dated 1972, lower left
70
x 75cm $12,000 18,000
______________________________________________________
14
William Boissevain (b.1927)
Seafood
Composition
Oil
on board
Signed
and dated 97, lower right
55
x 80
$6,000
9,000
Illustrated: William Boissevain by Gavin Fry, The Beagle Press, p.157
______________________________________________________
15
Leach Barker (1897 1967)
Albany
Inlet
Watercolour
Signed
lower right
18
x 27cm $300 - 450
______________________________________________________
16
Robert Juniper (b.1929)
Plant
in landscape
Oil
on canvas
Signed
and dated 64, lower right
90
x 90cm $4,500 7,000
______________________________________________________
17
William Boissevain (b.1927)
Ballerina
Resting
Pastel
and charcoal
Signed
lower right
68
x 55cm $2,000 3,000
______________________________________________________
18
Allon Cook (1907 1971)
Fremantle
Harbour 1935
Watercolour
Signed
lower right
27
x 38cm $750 1,200
______________________________________________________
19
Colin Parker (b.1941)
Coolgardie
Pub
Acrylic
on board
Signed
lower left
39
x 49cm $1,500 1,800
______________________________________________________
20
Valentine Delawarr (Active c.1880s -
1900)
Freshwater
Bay, Claremont
Oil
Signed
VD monogram, lower right Inscribed twice on reverse and lower left beneath the mount, "Freshwater Bay, Claremont"
20
x 46cm (approx oval mount) $600 1,200
______________________________________________________
21
Sali Herman (1898 1993)
Country
Landscape
Oil
on board
Signed
S. Hermann and dated 34, lower right
37
x 47cm
$2,500
4,500
Note:
Most
of Hermans earlier European works were signed with nn in the name
______________________________________________________
22
Amy Heap (1874 1956)
The
Ravine Porongorups
Watercolour
Signed
lower left
32
x 22cm $1,000 1,500
______________________________________________________
23
William Boissevain (b.1927)
Still
Life
Oil
on board
Signed
and dated 91, lower right
64
x 89cm $6,000 8,500
______________________________________________________
24
Robert Juniper (b.1929)
Abstract
Acrylic
on canvas on board
Signed
and dated 66, lower right
47
x 65cm $6,000 9,000
______________________________________________________
25
Howard Taylor (1918 2001)
Concave
Convex
Pastel
Signed
and dated 74, lower right
55
x 55cm
$6,500
9,500
Taylor said, I
believe that even if you work abstractly,
in
a minimal sort of way, youre still drawing on your
experience
of life the physical business of seeing and
the
more subjective one of feeling.
In reference to his
artistic output, he went on to say,
because
they are simple forms depending on just the
play
of light. In fact, at the
moment Im trying to paint
light.
Reference:
Howard
Taylor Phenomena, by Gary Dufour, Art Gallery of Western Australia, 2003, pages 65 & 66
______________________________________________________
26
Colin Parker (b.1941)
Beach
Fishermen
Oil
on board
Signed
lower right
59
x 61cm $2,200 2,700
______________________________________________________
27
John Coburn (1925 2006)
Untitled Abstract
Acrylic
on paper on board
Signed
lower right
69
x 51cm $8,000 12,000
______________________________________________________
28
Helen Norton (b.1961)
Am
I Still Alive
Acrylic
on canvas
Signed
and dated 01, lower right
88
x 119 $2,000 5,000
______________________________________________________
29
Allon Cook (1907 1971)
Wheat
Sheafs (Most likely Millendon near
the
artists home)
Oil
on canvas on board
Signed
in pencil, lower right
58
x 89cm $1,500 2,500
______________________________________________________
30
Pro Hart (1928 2006)
Resting
in the Shade
Oil
on board
Signed
lower right
29
x 39cm $3,500 5,500
______________________________________________________
31
Pinnole (c.1990)
Woman
and Spirit Images
Mixed
media on canvas panel
Signed
lower right
71
x 56cm
$300
- 700
Note:
Western
Australian, believed to be Perth urban Nyoongar
______________________________________________________
32
David Bromley (b.1960)
Secret
Garden
Acrylic
on canvas
Signed
lower left
122
x 153cm $6,000 8,000
______________________________________________________
33
Elizabeth Durack (1915 2000)
Aboriginal
Mother and Child
Watercolour
and dyeline
70
x 52cm
$1,500
2,200 ______________________________________________________
34
Herbert Gibbs (1852 1940)
The
Old Sandpit South Perth1928
Watercolour
Signed
and dated 1928, lower left
16
x 27cm
$1,000
2,500
Note:
Inscribed
on label on front mount, Sketch near Golf Links
______________________________________________________
35
Duncan McGregor Whyte (1866 1953)
River
Scene, (Possibly Guildford or Upper Swan)
Watercolour
Signed
lower left
20
x 28cm $450 - 750
______________________________________________________
36
Colin Parker (b.1941)
From
Mining Days In The Past Silverton Western NSW
Oil
on board
Signed
lower left
80
x 110 $2,400 3,400
______________________________________________________
37
Paul Margocsy (b.1945)
Australian
Rainbow Bee Eaters
Watercolour
and body colour
Signed
lower right
24
x 47cm $3,000 4,000
______________________________________________________
38
John Gould (1804 1881)
Browns
Wren
Malurus
Brownii
Hand
coloured lithograph from
Birds
of Australia
50
x 35cm
$1,500
2,000
Note: Drawn by Elizabeth Gould
______________________________________________________
39
John Gould (1804 1881)
Beautiful
Wren
Malurus
Pulcherrimus
Hand
coloured lithograph from
Birds
of Australia
48
x 33cm $1,700 2,300
______________________________________________________
40
John Gould (1804 1881)
The
Earl of Derbys Parakeet
Platycerus
Icterotis
Hand
coloured lithograph from
Birds
of Australia
50
x 32cm $1,800 2,800
______________________________________________________
41
Artist Unknown (Initials GWS)
c.1890s
Australian House
Watercolour
Signed
GWS, lower right
37
x 47cm
$500
- 900
Provenance:
By
descent within a Perth family and always believed to depict a Perth suburban house
______________________________________________________
42
Desmond John Brennan (b.1945)
Railway
Hotel Coolgardie
Watercolour
Signed
and dated 76, lower right
35
x 50cm $650 - 900
______________________________________________________
43
Helen Norton (b.1961)
Hero
Hand
coloured etching
Edition
44/50
Signed
and dated 99, lower right
39
x 53cm $500 - 900
______________________________________________________
44
Desmond John Brennan (b.1945)
Coolgardie
Railway Station
Watercolour
Signed
and dated 75, lower right
35
x 50cm $550 - 850
______________________________________________________
45
Howard Taylor (1918 2001)
Piesse
Brook, Kalamunda
Watercolour
Signed
and dated 50, lower right
27
x 37cm
$4,000
7,000
Taylor held his
first solo exhibition at Newspaper House
Gallery,
(run by John Brackenreg), in 1949. One
of the
premier
works in that exhibition was,
Bridge,
Piesse Brook, Kalamunda, painted in 1949.
He later commented
that; You miss that half-covered
sky
or the diffused light that you
get in Europe. You
have
burnt-out stuff in the bush; its
harsher country
altogether,
so even if you think like Constable
-----
you
come out here and you cant really paint like
Constable.
The difference
between this first exhibition and the
exhibition
of 1951, was that Taylor began to move away
from
naturalistic colour. He
began to, establish
relationships
between the forms in his compositions with
a
rigorous abstraction. The
subject work dated 1950, is
in
between these first two exhibitions.
Reference:
Howard
Taylor Phenomena, by Gary Dufour, Art Gallery of Western Australia, 2003, pages 36 & 37
______________________________________________________
46
Pro Hart (1928 2006)
Waltzing
Matilda
Oil
on board
Signed
lower right
20
x 21cm $1,800 2,500
______________________________________________________
47
Robert Juniper (b.1929)
The
Inlet
Mixed
media on canvas
Signed
and dated 07, lower left
29
x 39cm $5,000 7,000
______________________________________________________
48
William Boissevain (b.1927)
Irises
Oil
on board
Signed
and dated 98, lower right
90
x 93cm $7,000 10,000
______________________________________________________
49
James WR Linton (1869 1947)
Rural
Scene (Possibly Guildford)
Watercolour
Signed
with JWRL monogram, lower left
24
x 35cm $1,600 2,200
______________________________________________________
50
Artist Unknown
The
Ship, Carlisle Castle, c.1900
Watercolour
and pencil
Signed
with monogram, lower right
28
x 29cm
$1,500
2,000
Note verso:
Iron
sailing barque of 1458 tons. Carlisle
Castle had a
long
history of trading to WA. It
left Glasgow on
24th
March 1899 under the command of Captain Lindsay,
with
a cargo valued in excess of £40,000.
The ship was
lost
with all hands on Coventry Reef, Safety Bay, the
night
of July 12th 1899...The ships cargo contained much
equipment
for CY OConnors pipeline to Kalgoorlie
and
the subsequent delay to the project may well have contributed to the tragedy of CY OConnors death .....
______________________________________________________
51
John Allcot (1888 1973)
The
Hesperus
Oil
on canvas on board
Signed
lower left
49
x 59cm
$2,000
3,000
Note verso:
The
Hesperus. Built in 1875 for
the Orient Line was a very popular passenger ship of the 1870s.
______________________________________________________
52
Joseph Frost (b.1953)
S.S.
Dimboola Departing Fremantle for Sydney
Oil
on canvas
Signed
lower left
15
x 25cm $2,000 3,000
______________________________________________________
53
Frank Norton (1916 1983)
Set
of 5 Naval Pictures
Watercolour
All
signed lower right
27
x 37 (each)
$2,800
3,800 (5 items)
Note: Inscription
on one painting verso:
HMA
Ships meet Gothic Tasman Sea, 1954.
Frank Norton HMAS
Australia. Quadrant Gothic
Vengeance
and Anzac.
This set was
apparently commissioned by the Navy
showing
the arrival of Queen Elizabeth on the Shaw Saville Lines Gothic to Australia in 1954.
______________________________________________________
54
Henry Charles Prinsep (1844 1922)
Taj
Mahal
Watercolour
on paper
12
x 16.5cm
$600
- 900
Provenance:
The
Estate of Henry Charles Prinsep
Robert
Muir Private Collection Certificate of Authenticity verso
______________________________________________________
55
Attributed to Emily Prinsep
(Daughter
of HC Prinsep)
Falls,
WA
Watercolour
32.5
x 22.5cm
$600
- 900
Provenance:
The
Estate of Henry Charles Prinsep Collection of Robert Muir (snr.)
______________________________________________________
56
Amy Heap (1874 1956)
South
West View
Watercolour
Signed
lower left
18
x 24cm $750 1,200
______________________________________________________
57
Iris Francis (1913 2004)
Rose
and Crown Hotel, Swan Street
North
Fremantle, c.1939
Watercolour
Signed
lower right
37
x 53cm $750 1,000
______________________________________________________
58
David Boyd (b.1924)
Windy
Day At The Beach
Oil
on canvas
Signed
lower left
60
x 65cm $15,000 19,000
______________________________________________________
59
i) Emily Samson
(Believed to be the Daughter of Horace Samson)
Swan
River From Mounts Bay Road 1879
Pencil
With
signature and date 1879, lower right 22 x 32cm
ii) Emily Samson
Swan
River Cottage 1879
Pencil
With
signature and date 1879, lower right
20
x 31cm
$1,800 2,800 (2 items)
Provenance:
Mrs
Godbehear Family Estate, who inherited part of
the
Horace Samson estate
Hawks
Hill Gallery (Bertram Whittle) ______________________________________________________
60
i) Horace Samson
(1818 1906)
One
Of A Select Few
Pencil
- political cartoon
Signed
H.S. on sleeve of gentleman,
and
inscribed with title under image 19 x 14cm
ii) Horace Samson
(1818 1906)
The
Cruel Stepmother Forcing The
Bitter
Pill Down Master Squatters Throat , c.1842
Pencil
political cartoon
Signed
H.S., lower left
20
x 23cm
$1,000 1,800 (2 items)
Inscription Verso:
The
Swan River Colony 1840
The
Cruel Stepmother (England) is forcing the bitter pill
(higher
prices) down the kneeling squatters throat his
companions
and a guard soldier look on. A
portrait of
the
young Queen Victoria is upper right over a table
on
which is a copy of Squatters Regulations.
The
stepmother
says Open your mouth ye lief or by the
martial
you Master Squatter if you dont behave Ill draw
out
some Regulations. You
dont know whats good for
yourself.
Take that ye spalpeen you must swallow it
Provenance:
Mrs
Godbehear Family Estate, who inherited part of
the
Horace Samson estate
Hawks
Hill Gallery (Bertram Whittle) ______________________________________________________
61
William Boissevain (b.1927)
Water
Birds
Oil
on board
Signed
and dated 88, lower right
118
x 180 $10,000 15,000
______________________________________________________
62
Sidney Nolan (1917 1992)
Untitled
Abstract
Acrylic
spray paint
120
x 243cm
$7,000
10,000
Provenance:
Lord
McAlpine Collection Private collection, Perth
______________________________________________________
63
George Courtney Benson (1886 1949)
Albany
Harbour
Watercolour
Signed
and dated 31, lower right
35
x 48cm $1,000 1,800
______________________________________________________
64
Gordon Holdsworth (1884 1965)
View
of Perth From Mounts Bay Road, c.1930
Etching
Signed
G.H., lower left in plate
Inscribed
in pencil, Perth W.A. 11/30, lower left
and
signed, G. Holdsworth, lower right
15
x 20cm
$400
- 800
Note Verso: Possibly 1928 - 1933
______________________________________________________
65
Conrad Martens (1801 1878)
Vice Admiral Robert FitzRoy (1805 1865) A collection of 28 watercolours by Martens, (the official artist on board H.M.S. Beagle) and 3 watercolours by then, Captain Robert FitzRoy, the Captain of the Beagle.
A total of 31
watercolours, with
their
original binder. $600,000 1,000,000
Provenance:
The personal collection of Robert FitzRoy. Thence by descent within the family. Contained within the original book, having pencil
and ink annotations. With
FitzRoys signature and dated 1865
Each
image titled
Click here for images and full details
______________________________________________________
66
Desmond John Brennan (b.1945)
The
Basin, Rottnest
Watercolour
Signed
and dated 86, lower right
36
x 48cm
$2,000
3,000
Illustrated:
Impressions
of Rottnest Island by DJ Brennan 1986
Published
by Prints of Australia for The Des Sullivan Foundation, Rottnest Island Board
______________________________________________________
67
Elioth Gruner (1882 - 1939)
Hills
Of Northam 1936
Oil
on canvas board
Signed
lower right
30
x 45cm
$14,000
18,000
During the mid
1930s Elioth Gruner was considered to
be
one of the continents pre-eminent late impressionist
artists.
As such, the trustees of the Art Gallery of
Western
Australia invited him to come to the state with
the
understanding that they would purchase at least
some
of his local production.
No doubt at the
behest of the young gallery owner and
artist,
John Brackenreg, they toured the South West
and
the Avon Valley region.
With funding coming
from the State Gallerys Hackett
Bequest,
they purchased, The Valley of the Avon,
and
Blackwood River, Bridgetown. Being
an onsite
impressionist
painter, (as to some extent, was
Brackenreg),
he painted other smaller works, of which
the
subject work is one.
Hills of
Northam is very typical of Gruners work at the
time.
Quiet, understated, peaceful and rural.
It is a study in
tone and the use of subdued colour.
The
road leads the viewer into the scene towards the
distant
partly shadowed hills. The
reliable compositional
device
of the diminishing fenceline is put to good use,
adding
to the illusion of distance.
The overall feeling
of the work is that it depicts the late
afternoon,
with diminishing light and lengthening
shadows,
just before the sky begins to turn pink when viewed towards the East.
______________________________________________________
68
Daryl Lindsay (1889 1976)
Pastoral
Landscape
Oil
on canvas
Signed
and dated 36, lower left
30
x 39.5cm $2,000 3,000
______________________________________________________
69
Haughton Forrest (1826 1925)
Glenfalloch
From The Head of
Loch
Lomond, Scotland
Oil
on Winsor & Newton Academy Board
Signed
lower left
46.5
x 62cm $8,000 12,000
______________________________________________________
70
Iris Francis (1913 2004)
Double
Sided Still Life With Pottery, Circa Late 1930s
Watercolour
Signed
lower left, both sides
35
x 26cm $600 - 900
______________________________________________________
71
Iris Francis (1913 2004) Upton House, Australind W.A.
Watercolour
Signed
lower left
28
x 37cm $700 1,000
Note:
Built in 1844/5 for Mrs. Elizabeth Fry. The original building bricks are
believed to have been cargo or ballast on the "Trusty" during
her second voyage to Australind in 1844.
______________________________________________________
72
Harald Vike (1906
1987)
Landscape
Watercolour
Signed
and dated 1968, lower left
28
x 38cm $550 - 750
______________________________________________________
73
William Boissevain (b.1927)
Wheat
and Bush Plants
Oil
on board under glass
Signed
and dated 69, lower right
15.5
x 22cm $400 - 700
______________________________________________________
74
Larry Mitchell (b. 1953)
Moses
Rock
Oil
on canvas
Signed
lower left
122
x 152.5cm $12,000 16,000
______________________________________________________
75
Terry Cousins (b.1931)
Returning
Acrylic
and plaster composition on board
Signed
lower left
104
x 77cm $2,400 3,400
______________________________________________________
76
Robert Juniper (b.1929)
To
The Waters Edge
Oil
and acrylic on Belgian linen
Signed
and dated 06, lower right
92
x 138cm $20,000 26,000
______________________________________________________
77
David Bromley (b.1960)
Aspects
of Landscape
Acrylic
on 3 canvases, framed as 1 triptych
Signed
lower left
85
x 280 $4,000 6,000
______________________________________________________
78
William Boissevain (b.1927)
Reclining
Nude
Oil
on board
Signed
and dated 79, lower right
90
x 97cm $7,000 9,000
______________________________________________________
79
Attributed to Charles E Shaw (British)
(Active
19th Century)
Woman
And Calves
Oil
on canvas
Signed
and dated 1886, lower right
27
x 58cm $800 1,200
______________________________________________________
80
J Laurence Hart (British 1830 1907)
View
On The Leam, Evening
Oil
on canvas
Signed
and dated 1878, lower left
32
x 47cm
$800
1,200
Note:
Inscribed
on canvas verso, with title and the artists name plus, The Firs Mill Street Leamington
______________________________________________________
81
John Douglas Perrett (Scotland / NZ 1859 1937)
New
Zealand Lake Scene
Oil
on canvas
Signed
and dated 1889, lower left
102
x 170cm $2,750 4,750
______________________________________________________
82
Csaba Markus ( Hungary b.1953)
Nude
Limited
edition lithograph with artists original artwork,
in
mixed media
In
artist assembled frame and mount
Numbered
64/125, lower left and signed, lower right
87
x 60cm $1,500 2,500
______________________________________________________
83
Bernard Dunston (British b.1920)
Nude
and artist
Oil
on canvas
Signed
with initials (faintly), lower left
70
x 79cm $4,500 6,500
______________________________________________________
84
Andy Warhol (1928 1987) American
Ladies
and Gentlemen,
Screenprint
on paper, 1975
Edition
of 125, 25 AP, 1 PP
Signed,
numbered and dated verso,
63/125
Andy Warhol 75 CA, WE
84cm
(33 inches) x 70cm (27.5 inches) image size
Printer:
Alexander Heinrici, New York
Publisher:
Luciano Anselmino, Milan, Italy $5,500 8,000
______________________________________________________
85
An Indian Painting on Fabric, Laid Over Canvas
Early
to Mid 20th Century
A
Nobleman With Servant Both on Horseback
Watercolour
and gilt
140
x 104cm $1,000 3,000
______________________________________________________
86
An Indian Painting on Fabric, Laid Over Canvas
Early
to mid 20th century
Depicting
Krishna figuratively holding
up
Mount
Govardhana, and wearing lotus garlands,
flanked
by gopis. A full moon and
celestial chariots
above.
A cow herd below and framed vignettes
surrounding
the scene
Watercolour
174
x 100cm $1,500 3,500
______________________________________________________
87
Attributed to James Lawson Stewart
(British
- Active 1883 1889)
Loch
Maree, Ross Shire, Scotland
Oil
on canvas
With
frame mounted plaque inscribed with
title
and J.L. Stewart
70
x 110cm $800 2,800
______________________________________________________
JEWELLERY
Jewellery
items have been inspected by a qualified gemmologist
and in some cases by external consultants.
Subject to our normal published conditions
of sale, jewellery lots are
sold as is.
Historically,
particularly coloured stones, have been subjected
to treatments such as heating and oiling to
enhance their appearance. We
assume some percentage
of stones have been treated.
Carat
weights are estimated via measuring when stones
are set, so may vary if the stone is unset and
weighed.
Clarity
and colour gradings, particularly for diamonds, may
vary between different valuers/appraisers, particularly
if a stone is graded whilst set and then regraded
when loose.
Many
jewellery lots are offered with the vendors, Valuation
Certificates. These
reports are usually for insurance
purposes. They describe the
item and tend to
reflect a full replacement price.
It
is accepted that second hand jewellery sold at auction
normally sells at a discount to these valuation
amounts.
Where
available, any valuation, receipt or report
can be
inspected during the pre-auction viewing period.
Whilst
due care is taken McKenzies Auctioneers does
not warrant that any valuation or
report is correct.
Prospective
purchasers should satisfy themselves regarding
all aspects of any auction lots before bidding.
All
jewellery lots are available for inspection by potential
purchasers or their invited consultants during the
pre-auction viewing times.
Director:
Elizabeth McKenzie, FGAA. Dip.Gemmology
WATCHES
All
watches are in working condition when accepted for
sale, however, are sold without warranty.
Watches
are guaranteed to be authentic. For
example, if
described as an Omega, then the watch is guaranteed
to be made by that company. This
refers to
the movement and the case.
However,
sometimes, previous owners may have customised
their watch by changing the wrist band, the
front glass or crystal or by adding gemstones, (such
as diamonds), to the case, bezel or band.
Whether
or not the catalogue entry refers to any changes,
such additions or modifications do not constitute
grounds to rescind the purchase contract.
All
watches and timepieces are available for inspection during
the pre auction viewing period by potential bidders
or their consultants and are sold strictly as is. ______________________________________________________
88
A Natural Light Brownish Pink, Pear
Shaped Diamond
Of
0.165ct, clarity SI2
See
Independent Valuation and Diamond Grading Report
$1,900
3,900
______________________________________________________
89
A Natural Fancy Light Pink, Pear Shaped Diamond
Of
0.27ct, clarity SI2
See
Independent Valuation and Diamond Grading Report $4,700 6,700
______________________________________________________
90
A Ladies Rolex Oyster Perpetual Datejust
Self-winding
Customised Diamond Watch
18ct
gold, 750 assay mark. With diamonds on the
dial,
bezel, lugs and on each link of the customised,
(most
likely, after market) band
With
spare links and service receipt
26mm $8,000 12,000
______________________________________________________
91
A Gents Breitling Aerospace Watch
Quartz
chronograph movement, titanium finish,
date/day
and alarm display, five spare links
With
manufacturers box and papers, having
been
serviced since original purchase
40mm $3,000 5,000
______________________________________________________
92
Gents Rotary Watch, c.1960s
9ct
solid gold case, 21 jewel mechanical movement,
enamel
dial, leather strap
33mm $400 - 800
______________________________________________________
93
Full Hunter Surete Gents Pocket Watch, c.1900
18ct
solid gold case, engraved both sides, top wind
mechanical
movement, engine turned gold and
silver
dial.
50mm $1,000 1,600
______________________________________________________
94
Ladies Open Face Pocket Watch, c.1900
18ct
solid gold case, engraved back and dial,
top
wind mechanical movement
40mm $800 1,600
______________________________________________________
95
An Art Deco Platinum and Green
Tourmaline Ring
Set
with a round faceted tourmaline with estimated
weight
1.10ct, set upon a filigree domed top $750 1,250
______________________________________________________
96
A 9ct White Gold and Emerald
Brooch
Set
with two square Sandawana emeralds in a leaf
patterned
spray. The valuation states
the 2 emeralds
are
approximately 2.63ct in total
See
independent valuation $2,000 4,000
______________________________________________________
97
A South Australian Colonial
Brooch, c.1870
9ct
yellow gold and malachite, decorated in leaves
and
flowers. Attributed to Joachim Matthias Wendt
Length:
5.5cm; Height:
4.1cm
$1,000
2,000
Note:
See
similar example page 57, Australian Jewellery by Anne Schofield
______________________________________________________
98
An Antique 9ct Rose Gold and
Silver, Sapphire
and
Diamond Crescent Brooch
Having
a central diamond floral design
See
independent valuation $1,300 2,000
______________________________________________________
99
A South Australian Colonial
Cowell Jade
Bar
Brooch
Late
19th century, stamped 9ct
Length:
65mm
$500
- 800
Note:
The
Jade has been classified with the help of the Gemmological Association of Western Australia
|
|
Images
are representations only, and colours may not be true to the original artwork. |
