An antique 18ct yellow gold navette shaped seed pearl and ruby ring, hall marked Birmingham 1896

An 18ct white gold diamond ring with 3 baguette cut diamonds. The larger diamond collet set centrally with a smaller diamond each side, bezel set. Handmade.

Central diamond = estimated 0.47 carats, colour: G - H, clarity: SI2

Diamonds x 2 = estimated 0.34 carats, clarity: VS-, colour: J - K, N - O; colour and clarity are estimated. Accompanied by a certificate of valuation.

A pair of 18ct yellow gold South Sea pearl pendant earrings set with 2 = 0.14ct round brilliant cut diamonds.

An 18ct white gold pearl and diamond pendant, 11.3mm button shaped South Sea pearl surrounded by 24 = 0.23ct round brilliant cut diamonds.

A pair of 18ct yellow gold cultured pearl and diamond cluster earrings, set with 40 = 0.39ct of round brilliant cut diamonds

An 18 ct yellow gold solitaire diamond ring. A round brilliant cut diamond, claw set, estimated 1.94ct, colour: E, clarity: SI3. Accompanied by a certificate of valuation

An art deco platinum ladies wrist watch, set with 46 diamonds and fitted with 9ct white gold adjustable bracelet

An 18ct two tone diamond bangle, pavé set with 40 = 0.35ct round brilliant cut diamonds

An 18ct white gold and black Tahitian South Sea pearl ring, pavé set with 178 = 0.91ct brilliant cut diamonds

An 18ct yellow gold 5 pearl dress ring

An antique 18ct yellow gold navette shaped, dress ring, centrally set with a round cut sapphire surrounded by 14 old cut diamonds. Hallmarked London

Goldfields trophy shield, silver, Inter Schools Relay Championships with plaques from
1922 onwards. Attributed to JC Taylor

John Gould, Radiated Goshawk, original hand-coloured lithograph, 52 x 36cm

2 Victorian very fine miniatures, of a lady and a gentleman, mixed media, in leather frames

R. Marcaun, small ink drawing in carved cedar frame, signed & dated 27, 14 x 8.5cm

Iris Francis, Building of the King Bay, pencil, signed, dated 1937, 28 x 38cm
Provenance: Estate of Iris Francis

Bruce Malloch, Miner with horse and cart, oil, signed, 33 x 50cm

Rome, 18^th Century, oil on canvas, painted early to mid 20^th century & signed lower
 right,71 x 127cm

Marie Hobbs, Abstract Trees, mixed media, signed, 75 x 55cm

Bessie Saunders (Cook), Myrtle Francis, Harp Player, red pencil, signed & dated August 34, lower right, 28 x 21.5cm. Provenance: Estate of Iris Francis

After Robert Hillingford, Wellington at Waterloo, The Dawn of Day 1815, colour lithograph, published c.1896, 49 x 80cm

Margaret Saunders, Perth Town Hall, woodcut, signed, 18 x 8cm

Margaret Saunders, Perth College Chapel, woodcut, hand coloured, signed, 12 x 12cm

Maurice Namatjira, Landscape, watercolour, signed, 15.5 x 24cm

Cordula Ebatarinja, Landscape, watercolour, signed, 17 x 24cm

Joseph Frost, Morning at Lavendar Bay, oil, signed J Morgan, 14 x 19.5cm

Japanese Kubuki Theatre Scene, woodblock print, signed, 35 x 24cm

Hiroshige, Japanese woodblock print, circa late 19^th century, 34 x 22cm

Guy Grey-Smith, International Airport, screenprint, numbered 7/30, signed & dated 68, 37 x 57cm

R. Payne, The Light of the World, oil, after the original by William Holman Hunt (c.1851) which hangs in Keble College, Oxford

Sydney Harbour Scene, 19^th century. Publisher details under mount, lower right; "Published August 1^st 1879 by P.E. Reynolds, 426 George St. Sydney." Colour aquatint, 32 x 83cm

Chris Constable, Cottesloe Beach, oil, 1981, signed, 59 x 79cm

William Russell Flint, (British), lithograph, signed in pencil, 41.5 x 57cm

David Gregson, Rotto Pub, watercolour, titled, signed and dated '88, 61 x 100cm

DJ Brennan, Pilbara Water Hole, watercolour, signed & dated 77, 37 x 54.5cm

Hal Missingham, Rocks at Jane Brook, watercolour, signed & dated 74, 34 x 53cm

Revel Cooper, South West scene, acrylic, signed, 47 x 75cm

Weaver Hawkins, Forrest scene, watercolour signed Raokin & dated 45, 
28 x 37cm

Mary Peart, (Nyungar School), Stirling Ranges, oil, signed, 60 x 90.5cm

Lori Pensini, Dreaming upon Myself, oil, signed, 78 x 63cm

David Boyd, Flamenco, screenprint, numbered 27/75, signed, 57.5 x 44cm

Charles Blackman, Alice’s Feet, screenprint, numbered 32/75, signed, 53 x 64cm

J. Ainslie, Homage to the Pearl Divers II, acrylic & collage, signed, 69 x 50cm

Nick Economo, Still Life, acrylic, signed, 70 x 43cm

Ben Joel, Weir Sights, oil, signed, 120 x 89.5cm

Alan Bond, The Bungle Bungles, oil, signed & dated 99, 68 x 98cm

David Boyd, Viola Angelica, screenprint, numbered 30/75, signed, 70 x 42cm

Joseph Frost, Girl in magenta sarong, oil, signed, 29 x 29cm

Jack Van Bruchem, Idyll, oil, signed, 82 x 100cm

John Cartwright, Denmark Cottages, incised enamel on board, signed, 63 x 81.5cm

A collection of Yalgoo goldfields documents, 19^th century:

1. Application for a Wayside House License 1896
2. Aboriginal Servant agreement 1899
3. Aboriginal Servent agreement 1899
4. An original copy of the plan of the Carlisle Hotel, Wadgingarra

Iris Francis, CSR Sugar Refinery, Chidley Point, watercolour, signed, c.1930’s, 30.5 x 45cm
Provenance: Estate of Iris Francis

Gary Speak, The Source, oil/acrylic on canvas, signed, 75 x 100cm

Maria Cool, Still Life, acrylic, signed, 45 x 55cm

Maria Cool, Still Life, acrylic, signed, 45 x 55cm

HWG Winter, Continental Winter Scene, oil, signed,(early 20^th century),
48 x 58cm

Mingi May Barnes, Flying Ants, acrylic, 50.5 x 60.5cm

Mingi May Barnes, Dreamtime, acrylic, 49 x 59cm

Herbert Rose, Moroccan Scene, oil, signed, 25 x 33cm

Iris Francis, Church purportedly in Guildford, watercolour, signed, c.1940, 26 x 39cm
Provenance: Estate of Iris Francis

Bruce Malloch, Man at the bar, oil, signed, 25 x 18cm

Bruce Malloch, Man standing, oil, signed, 25 x 17cm