101

Robert Henry Dickerson (b. 1924)

Portrait of Two Ladies

Pastel

Signed lower right

75 x 54.5cm

$14,500 - 16,500

102

Kevin Charles (Pro) Hart (1928 - 2006)

Replenishing Water Supply, Captain Cook

Oil on board

Signed “Pro Hart”, lower right

Dated 68, lower left

88 x 119.5cm

$25,000 - 30,000

The Captain Cook series Hart commenced in 1963.  This artwork was painted in 1968. It falls within the narrative category of his work.

It was about this time that Hart’s work became more ambitious.   Since getting his start with the Bonython Gallery in Adelaide in 1962, his career went from strength to strength throughout the late 1960’s and into the 1970’s both within Australia and internationally.

The Eureka Stockade and Captain Cook series are his most important works from this period.  They were subjects which were suitable as narratives of Australia and as such were eminently suitable for exhibition overseas, which occurred regularly throughout the 1970’s.

103

Lori Pensini (b. 1970)

Bush Babies

Oil on canvas

Signed lower left

120 x 148.5cm

$5,000 - 7,500

104

Guy Edward Grey-Smith (1916 - 1981)

The Escarpment

Oil on board

Signed “G Grey-Smith” & dated 80, lower right

120 x 181cm

$35,000 - 50,000

Provenance:

Label verso: Gallery A, Paddington NSW 1980

Consigned from the USA .  Formerly the property

of Chief Executive Officer, Alcoa

105

Donald Stuart Leslie Friend (1915 - 1989)

Bush Picnic

Watercolour

Signed, inscribed “Bush Picnic” & dated 86, lower right

50 x 63cm

$13,000 - 16,000

106

Paul Margocsy (b. 1945)

Australian Western Rosellas

“He’s Just a Cousin of Mine”

Watercolour

Signed lower right

33 x 24.5cm

$1,800 - 2,500

107

Jan Rowley

Birds in a Landscape

Mixed media

Signed lower left & dated 95, lower right

38 x 28cm

$600 - 1,000

108

Sidney Nolan (1917 - 1992)

Convict and Rainforest, 1958

(Mrs Fraser series)

PVA

Signed “N”, lower right

Dated 17/1/58 verso

152 x 125cm

$60,000 - 80,000

Inscribed verso:

“For Durlacher’s New York

Convict and Rainforest (Mrs Fraser Series)

17.1.58

Paris ”

Exhibited:

Most likely, Durlacher’s Gallery, New York , 1958

Nolan’s fame is due to his portrayal of Australian historical events which became legends.  Ned Kelly, Burke and Wills and less well known, the story of Eliza Fraser, depicted in this artwork.

This series is certainly the rarest of the three.  Shipwrecked on “ Stirling Castle ” in 1836, Captain Fraser, Eliza, and a few of the crew, reached the shore of an island (now named Fraser Island ).

The men were all killed by Aborigines whilst she was enslaved by them. Later, the escaped convict, David Bracefell rescued her.

Nolan’s paintings of this episode tend to depict more of Bracefell (as the convict), rather than Mrs. Fraser.

In this work, Nolan communicates the despair and alienation of Bracefell hiding in the Queensland rainforest.

Ultimately, Bracefell was betrayed by Fraser after he rescued her; although he did escape again.

The first Mrs Fraser paintings were completed by Nolan in 1947, but he returned to the theme a number of times over the following decades.

During 1957, Nolan commenced a new group of pictures about the Eliza Fraser and Bracefell story.  The Whitechapel Gallery, London , at the time, held a retrospective exhibition for him.

In late 1957 and early 1958, he lived in Paris whilst studying printmaking.

From June 1958 to April 1960, he was in the United States on a Harkness Fellowship and worked in New York and Arizona .  New York ’s Durlacher Gallery held an exhibition for him at this time.

Therefore, from interpreting the inscriptions on the back of the painting and looking at Nolan’s itinerary at the time, it can be surmised the picture travelled from Paris to the exhibition in New York .

Whilst this work was painted a long way from Queensland , Nolan did visit Fraser Island for the purpose of coming to terms with its natural environment, to work as inspiration for the series.

Here, the dense, dark rainforest envelopes the convict who is almost completely hidden except for his striped convict clothes.

On the right of the picture plain, a jungle flower rises up.  Enveloping that is a flourish of cream paint which makes a bold abstract mark on the paint surface.

Besides balancing the picture, it no doubt alludes to some sentiment the artist wishes to communicate.

109

Bruce Malloch (b. 1936)

On a Friday Afternoon

Oil on board

Signed lower right

17 x 29.5cm

$650 - 900

110

Henri Benedictus Van Raalte (1881 - 1929)

Fremantle Bridge 1917 - 1919

Drypoint Etching

Numbered 39, Titled & signed, lower margin

18 x 36cm

$1,000 - 1,500

Literature:

Illustrated p.39 Henri van Raalte Master Printmaker

by Arthur Spartalis 1989

Represented:

Art Gallery of Western Australia

University of Western Australia

National Gallery of Victoria

Holmes-a-Court Collection

111

Nick Botting (b. 1963, British)

The Shower Cottesloe II

Oil on canvas

Signed lower right

90 x 105.5cm

$7,500 - 9,000

Note:

Painted on site November 2005

112

Norbertine Bresslern-Roth (1891 - 1978)

Dormice

Woodcut

Signed lower margin

13 x 14cm

$400 - 600

113

Norbertine Bresslern-Roth (1891 - 1978)

Red Squirrels

Woodcut

Signed lower margin

13.5 x 18cm

$500 - 600

114

Marie Anne Tuck (1872 - 1947)

In the Tuilleries

Oil on board

45.5 x 35.5cm

$1,400 - 2,400

115

George Feather Lawrence (1901 - 1981)

Street Scene

Oil on board

Signed & dated ’75, lower right

49.5 x 59cm

$2,000 - 3,000

116

Nick Botting (b. 1963, British)

Ascot Afternoon ( Perth WA )

Oil on canvas

Signed lower right

39.5 x 45cm

$2,600 - 3,600

Note:

Painted on site November 2005

117

No Lot

118

William Boissevain (b. 1927)

Still Life

Oil on board

Signed lower right

48 x 59cm

$5,500 - 6,500

119

Margaret Benoit (b. 1941)

Winter Rottnest

Oil on board

Signed lower left

27 x 74cm

$6,500 - 7,500

120

A Diamond Ring

Claw set with a round brilliant cut diamond in

an 18 carat white gold mount.  Accompanied by

a valuation that states a weight of .91 carats,

colour H and clarity SI1

$3,800 - 4,800

121

An 18 carat Yellow Gold Diamond Necklet

The diamonds are six claw fancy collet set, spaced by

a vertical drop bar and suspended on a curb link chain.

Accompanied by a valuation that states:

Diamond round brilliant cut 1 = 0.38 carats

estimated weight, colour I - J, clarity P1

Diamond round brilliant cut 1 = 0.18 carats

estimated weight, colour J - K, clarity SI

$900 - 1,200

122

A Diamond Necklace

37 round brilliant cut diamonds set in 18 carat yellow

and white gold (rhodium plated).  The diamonds are

four claw collet set in two graduated, off-set rows

forming the centrepiece.

Accompanied by a valuation that states:

The 37 diamonds = 9.25 carats total estimated weight

$6,000 - 8,000

123

A Diamond Ring

Round brilliant cut diamond in a six claw, tulip collet

mounted 18 carat white gold setting.

Accompanied by a valuation that states:

The weight is 0.67 carats, colour F and clarity SI1

$2,000 - 4,000

124

An 18 Carat Yellow Gold Diamond & Ruby Ring

The diamond is six claw collet set centrally, flanked

by six claw collet set rubies either side, upon

upswept shoulders.

Accompanied by a valuation that states:

The diamond is old cut with an estimated weight of

0.81 carats, colour J and clarity VS1

Both rubies cushion cut with estimated weights of

0.60 carats and 0.71 carats

$2,000 - 4,000

125

An 18 Carat Yellow Gold Necklace c.1900

Consisting of fancy lay-on circular pieces with star

shapes, set upon interlocking links.  Hollow balls are

displayed upon the outer edge.  Fitted with a hook

design clasp.  Total length approximately 36cm.

Weight: 30.70 grams

$700 - 1,200

126

An 18 Carat White Gold South Sea Pearl Pendant

Set with 51 = 0.24 carat round brilliant cut diamonds

and a 13.9mm silver white South Sea pearl, suspended

from an 18 carat white gold necklace

$1,500 - 2,500

127

A 9 Carat Yellow Gold & Golden Beryl Ring

Centrally set within four claws upon fancy filigree

shoulders.

Weight: 3.7 grams

$400 - 600

128

An 18 Carat White Gold & Diamond Brooch

Set with 51 = 1.52 carats (estimated weight), round

brilliant cut diamonds in a bead set, fancy leaf

inspired floral design. Having 4 baguette cut diamonds

set into the stem = 0.54 carats (estimated weight)

Accompanied by a Certificate of Valuation

$2,500 - 4,000

129

A Platinum & Diamond Ring

Four round brilliant cut diamonds each in an eight

claw collet set, in a horizontal row upon tapered

shoulders.

Stamped PLAT, WG LEVI NSO N

Accompanied by a valuation that states:

The diamonds = 0.58 carats estimated weight

$950 - 1,950

130

A 14 Carat Yellow Gold & Diamond Ring

Centrally set, round brilliant cut diamond, flanked

by 3 round brilliant cut, channel set diamonds on

each shoulder.

Accompanied by a valuation that states:

The central diamond = 1.90 carats estimated weight,

clarity P1, colour M-N

Diamonds: 6 = 0.80 carats estimated weight

$4,500 - 6,500

131

An 18 Carat White Gold & Diamond Necklace

The diamonds are four claw collet set in two

graduated off-set rows forming the central piece.

Accompanied by a valuation that states:

The 45 round brilliant cut diamonds = 6.18 carats

estimated weight

$4,000 - 6,000

132

An 18 Carat Yellow Gold Emerald & Diamond Ring

The emerald is bezel set centrally on a fancy, pierced

box collet with diamonds set inverted on the edges of

the scroll design shoulders.

Accompanied by a valuation that states:

The total weight is 18.9 grams

The emerald is 10.90 carats estimated weight

The four, round, brilliant cut diamonds = 0.60 carats

estimated weight

$25,000 - 35,000

133

A Yellow Gold & Sapphire Ring

Three oval cut sapphires, each four claw set with

decorative scrolls and bands on the shoulders.

$500 - 1,000

134

An Antique Bohemian Garnet & Silver Bangle c.1880

Pavé set with approximately 180 Bohemian cut

garnets.

$800 - 1,200

135

A 15 Carat Yellow Gold & Silver  Ruby & Diamond Ring  c.1890

The central, oval cut ruby is surrounded by silver

navette shaped settings with bead set diamonds

finished with bezel set rubies.

Accompanied by a valuation that states:

The central ruby is 0.80 carats

The 12 diamonds = 0.42 carats estimated weight

respectively

$1,000 - 2,000

136

A Two-tone 18 Carat Gold & Diamond Ring

Featuring an emerald cut centre diamond and set

with two emerald cut shoulder diamonds.

Stamped “750, Rosendorff”

Accompanied with a valuation that states:

The centre diamond = 1.33 carats, colour G, SI1

The two shoulder diamonds = 0.52 carats

$6,000 - 8,000

137

An Antique 9 Carat Yellow Gold & Diamond Bracelet c. 1890

Having a 2.8mm diameter snake link chain with a floral

engraved slider, the diamond bezel set on the top.

The chain has two floral engraved bell shaped ends.

$600 - 1,000

138

A Diamond Ring

Set with a centre princess cut diamond set in a white

gold bezel with 6 shoulder princess cut diamonds,

channel set.

Stamped “18 carat”

Accompanied with a valuation that states:

Centre diamond = 1.00 carat estimated weight,

colour G, SI1

6 shoulder diamonds = 0.30 carats estimated weight

$7,000 - 9,000

139

A Pair of 18 Carat Yellow Gold South Sea Pearl

& Diamond Earrings

The pearls are 12.6mm drop shaped and the earrings

are set with diamonds totalling 0.47 carats estimated

weight.

$3,000 - 4,500

140

A 14 Carat Yellow Gold Diamond Bracelet

40 round brilliant cut diamonds, 4 claw chenier set

in hinged links.

Accompanied with a valuation

$6,500 - 8,500

141

An 18 Carat Yellow Gold Ruby & Opal Ring

A solid white opal in a 4 claw setting surrounded

by 12 round cut rubies.

$300 - 500

142

An 18 Carat White Gold Diamond & Sapphire Brooch

A central five claw set, early brilliant cut diamond,

surrounded by 10 round cut sapphires in a flower

pattern.  Bead set diamonds are displayed in curved

leaf motifs with alternate channel set, baguette cut

diamonds to form an elaborate cluster design.

77 diamonds in total. 

Accompanied with a valuation that has assessed

this item as handmade.

$5,000 - 8,000

143

A 10 Carat White Gold Diamond Ring

The radiant cut diamond is four claw, U shaped collet

set, with baguette cut diamonds channel set into the

band.

Round brilliant cut diamonds are bead set into the

upraised split shoulders.

Accompanied with a valuation that states:

The radiant cut diamond is 1.53 carats estimated

weight.

$6,000 - 9,000

144

An 18 Carat White Gold Diamond Ring

Centrally set with a 1.56 carat marquise cut diamond,

certified and laser inscribed by the Gemmological

Institute of America , stating that the diamond is

E in colour and SI1 in clarity.

$18,000 - 22,000

145

An 18 Carat Yellow Gold Diamond & South Sea

Pearl Necklace

Set with approximately 0.16 carats of round brilliant

cut diamonds and 5 graduated South Sea pearls

11 to 12mm.

$3,000 - 4,500

146

A Pair of 10 Carat Yellow Gold & Diamond Earrings

The diamonds are rhodium plate pave set in one half

of the hinged earrings and the coloured diamonds are

yellow gold pave set in the other half.

Stamped 10K

Accompanied with a valuation that states:

300 diamonds = 1.80 carats estimated weight,

colour H - I

300 diamonds = 1.80 carats estimated weight,

colour fancy intense orange brown to cognac.

$2,000 - 3,500

147

An 18 Carat Yellow Gold Spun Bracelet

Set with 2 x 14.8mm round South Sea Pearls

$4,200 - 5,200

148

A Rolex Yacht-Master Oyster Perpetual Automatic

Men’s Wristwatch

Mid-size 35mm, in gold and stainless steel with

royal blue face. Having screw down winding crown

and waterproof to 100 meters,

In original box with papers and purchase receipt

(purchased new 2007)

$5,500 - 7,000

149

A 14 Carat Yellow Gold & Diamond Ring

Centre set round brilliant cut diamond of approximately

1.83 carats, in a white gold six claw collet set, with

18 channel set diamonds in stepped graduated

shoulders.

Accompanied with a valuation that states:

Colour is light champagne and clarity SI2

$6,000 - 8,000

150

An 18 Carat Yellow Gold & Platinum Diamond Ring

With a central 6 claw set round brilliant cut diamond

surrounded by six early brilliant and old cut diamonds

in a flower design, bead set in platinum.

The shoulders having a fancy, split scroll design in

white gold.

Accompanied with a valuation

$1,000 - 1,500

151

An Antique 18 Carat Yellow Gold Diamond & Emerald Ring  c.1900

Having a centrally set round cut emerald with an early

brilliant, old cut diamond in claw settings each side.

Accompanied with a valuation

$600 - 1,000

152

An 18 Carat White Gold & Diamond Ring

The central, round brilliant cut diamond is raised and

in a 4 claw setting, surrounded by diamonds in leaf

and heart collets - 24 in total.

Accompanied with a valuation

$1,200 - 2,200

153

An 18 Carat Yellow Gold Ruby & Diamond Ring

A central round brilliant cut diamond with a round brilliant cut

ruby either side.  All four claw set and each set within a

diamond shaped pattern.

$600 - 1,000

154

Six David-Andersen (Norwegian)

Gilt silver and enamelled tea spoons, plus sugar tongs.

with makers mark and English Hallmarks,

"Birmingham 1896"

$700 - 950

155

A Fine Victorian Brass Bound Walnut & Mahogany

Writing Slope

with lock and key, tooled leather writing slope

and secret compartment with 3 small drawers

Height: 20cm;  width: 27.5cm;  length: 50.5cm

$700 - 1,000

156

An 18th Century Russian, Silver & Enamelled Pectoral Cross

6.5 x 4.6cm

$800 - 1,500

Provenance:

Iconastas, London

157

A Set of 8 Sterling Silver Teaspoons

by Jamie Linton (active 1921 - 1976)

In the Arts and Crafts style, marked “JAL ST. SILVER”

and with a gumnut motif

$300 - 500

158

Four Sterling Silver Serving Items

by Jamie Linton (active 1921 - 1976)

Consisting of, 2 serving spoons, 1 small ladle and

a butter knife in the Arts and Crafts style.

All marked “JAL ST. SILVER” and with a gumnut motif.

One spoon has a donkey orchid design on the handle,

the other three items all have a gumnut and leaf design.

$250 - 450

159

John Olsen (b. 1928)

A Glazed Pottery Plate with Cover

The plate decorated with a cow and titled, “High Diddle

Diddle” on base.

Signed “John Olsen” & dated 70 on base, with impressed

potters stamp

The cover, inscribed “High Diddle Diddle” with a depiction

of the moon and a cow

Diameter: 21cm

$1,800 - 2,800

160

An early 20th Century Wedgwood Two Handled

Jasper Ware Lidded Urn

Having engine turned decoration together with an upper

frieze of elongated acanthus leaves and a lower frieze

of suspended fabric

Height: 23.5cm

$600 - 900

161

A William Moorcroft Wisteria Pattern Vase c.1920 -1925

Height: 15.5cm

$600 - 900

162

A Lalique Opalescent “Gui” (Misteltoe) Vase  c.1923

Impressed “R Lalique”, to base.

(Minor chips to foot edge)

Height: 16.9cm

$2,000 - 3,000

163

John Olsen (b. 1928)

Two Glazed & Decorated Ceramic Goblets & Jug

The jug inscribed, “Hermana beba que la vida es breve”,

(ie. Drink, sister, because life is short)

Signed “John Olsen” & dated “70”

Inscribed “Spanish Advice”, on the base, together

with impressed potters mark

Height: 25.5cm

The two goblets signed “J.O.” on base, one is dated 70

Both with impressed potters mark

Height: 19.5cm each

$1,600 - 2,600

164

A William Moorcroft Florian Ware, Persian Shape Vase

With the cornflower pattern in shades of blue, made for

James MacIntyre & Co,  c.1902

Height: 27cm

$3,200 - 3,900

165

A 935 Silver, Circular, Hinge Lidded Box  c.1880

With a scene depicting a lady being transported in a

carriage by two servants

Marked “935, Sterling ”, on rim

Diameter: 6.5cm

$160 - 300

166

A Sterling Silver Engraved Cigarette Box with

Gilded Interior

Marked “ Chester , 1913” and makers mark, “JD, WD”

$150 - 200

167

A Boxed, Gilt Silver 6 Piece Sewing Kit

In an engraved, ornate style with natural and a few

(likely replacement) round cabochon cut turquoise.

Most likely, late 18th century, of Northern European

or Russian origin.

$900 - 1,200

This lot comes with fragments of a note found in the

box, which approximately says:

“Queen Anne’s Needle ---

This needlecase which belonged to Queen Ann ---------

daughter, Maud --- who was a child --- it to me. Maud

Cortes?”

On the other side, the fragments approximately say:

“--- daughter Ana, bellong (sic) to grandmother on

marriage to Ambrose ------ Grandfather --- of the famous

----- 1786 of the ---- Duchess ---- collection of antiquities,

( Portland Vase) ---, crystals, china, ---- snuff boxes, seals,

 pri---- jewels etc.”

“It --- given by Sir James to ---.”

168

A Pair of WMF Silver Candlesticks with Glass Covers

Each with the 1909 “bee-hive” mark on their bases

together with impressed letters, “D.R.G.M.” (possibly

referring to an Imperial German patent)

$600 - 800

169

An Impressive Pair of Royal Crown Derby

Two Handled Vases with Covers

Having gilt floral decoration over rouge red grounds

Printed red marks on the covers and under bases

Date mark for 1886

(one with handle chip, the other with small chips on base)

Height: 39cm

$2,500 - 4,000

170

A MacIntyre, William Moorcroft, Aurelian Ware Vase

in the Persian Shape c. 1898

Height: 25.5cm

$3,700 - 4,400

171

A Royal Worcester 18 Piece Desert Service

Dated 1874 (printed marks)

Consisting of 12 plates, 2 tazzas and 4 footed plates

Each piece having a celadon green background with

gilded outer borders.  The 6 serving items each having

gilded, scrolled feet.

The decoration consisting of sprays of flowers on

one side and raised enamelled birds and insects

(which appear English, such as robins, swallows etc),

painted the opposite side to the flowers.

Most pieces have the pattern number “9357”

George Hundley (b. 1841, worked at the factory

1850’s - 1897) painted the flowers.

John Hopewell (b. 1834, worked at the factory

1855 - 1890) painted the naturalistic birds and insects,

subjects of which it was said, he became the master of.

(p.97 Royal Worcester Porcelain, by Henry Sandon,

1st published 1973)

$3,500 - 5,000

172

A Pair of Royal Worcester Stained Ivory Vases

With pierced upper rims and pierced covers.  Decorated

with painted and gilded flowers and foliage, each set

upon 4 gilded and decorated feet.

Shape number 1194, dated 1886.

Height: 19.5cm

$3,500 - 5,000

173

An Early 20th Century Rosewood Deed Box

Inlaid with ivory and mixed woods.  With lock and key

set upon bun feet.  Most likely Indian.

Length: 39cm; width: 29cm; height: 24cm

$750 - 1,000

174

A Pair of Hand Painted Sevres Style, 2 Handled Urns

With painted classical scenes, ormolu finials, bases and

handles.  Late 19th century, French

Height: 23.5cm

$1,600 - 2,400

175

A fine Japanese 19th Century (Meiji Period) Satsuma Vase

Depicting the immortals and dragons

Painted, gilded and enamelled

Signed on base

Height: 15.5cm

$800 - 1,000

176

Flora Landells (1888 - 1981)

2 glazed blue mugs and a glazed green bowl

All signed, “Landells, Perth ”, on their bases

$200 - 350 (3 items)

177

Eileen Keys (1903 - 1986)

(i)  A 3 footed, glazed ceramic bowl

Signed on base, “Keys”

(ii)  A glazed ceramic juicer

Signed on base, “Keys”

(iii)  A green glazed jug

Attributed to Eileen Keys

$300 - 400

178

A 19th Century Russian, Painted & Gilded Icon

of the Virgin Hodegetria

With a gilt metal riza

18.5 x 16.5cm

$1,200 - 2,500

Provenance:

Iconastas ( London )

“Hodegetria” is Greek for, “one who shows the way”.

This icon is after the image in the Mt Athos Monastery

in Greece dating from 1629.

The virgin is shown enthroned and dressed as an

Empress in the Byzantine Court .

179

A Chinese Carved Ivory Mystery Ball

Above a figure of a lady on a pierced circular stand

Height: 26.5cm

$500 - 750

180

A Pair of Late 19th Century Chinese

Juane Verte Baluster Urns with Lids

Height: 38cm each

$2,000 - 3,500

Provenance:

Private collection, Perth

Estate of Dr Harold Schenberg

Purchased from Sothebys , UK , 1979

181

A Large and Impressive Late Ming Dynasty, Blue & White Charger

With exotic birds amongst foliage

Diameter: 38.3cm

$1,000 - 1,500

Provenance:

From Binh Thuan shipwreck (discovered 2001)

Copy of Certificate of registration

National Museum of the Philippines

182

A Meiji Period Japanese Satsuma Plate

(Late 19th Century)

Depicting the Immortals and Dragons

Painting, gilding and enamelling

Signed on base

Diameter: 21.2cm

$800 - 1,000

183

A Mahogany Two Day Marine Chronometer  c.1870

Number 5130, by Joseph Sewill, Liverpool

10.5cm silvered dial with subsidiary second hand.

Gimbal mounted in a brass bound three tier case

with flush fitting swing handles

With key, working

Outer case 18.5cm square

$4,000 - 5,000

184

An English Mahogany Bracket Clock c.1720

Silvered dial, 8 day verge double fusee movement

Strikes the bell

Signed “C Bulloch, London ” 

$3,500 - 4,500

185

An English Long Case Clock c.1720

Having an elm and burr walnut case with rosewood

cross banding.  The brass dial has fine engraving, a

silvered chapter ring, seconds and date.

Eight day, 5 pillar movement with inside count wheel.

Signed “Mark Hawkins, Bury St. Edmunds”

$13,000 - 16,000

186

A Wedgwood Jasperware Panel  c.1900

Sage green with 10 muses in white relief

14 x 45cm

$600 - 900

187

A Georgian 5 ¾” Wine Glass c. 1750

with ovoid bowl on single knop, multi-spiral

air twist stem

$675 - 875

188

A Georgian 5 ¾” Cordial Glass c. 1750

with gadrooned bowl, opaque spiral and spiral twist

to the stem

$950 - 1,100

189

A Victorian Walnut Work Table

with a hinged burr walnut top; the interior fitted for

sewing items and having a tripod base

$1,000 - 1,400

190

An Edwardian Rosewood Inlaid Marquetry

Music Cabinet

with 3 doors and 18 bevelled mirrors

$2,000 - 2,400

191

An Early Victorian Twin Pedestal Mahogany

Partner’s Desk

with inlaid tooled leather top

$2,500 - 4,500

192

An Edwardian Walnut Twin Pedestal Desk

with an inlaid tooled leather top

$1,000 - 1,500

193

Pippin Drysdale (b. 1943)

Porcelain Vessel, “Tanami Trails”, series II, 2003

Having a grey green exterior and a purple interior

Signed on base

Height: 33cm;  Diameter: 18.5cm

$1,200 - 1,800

The inspiration for the artist to create the Tanami

series was a plane trip across Central Australia

around the Tanami Desert region.

194

Pippin Drysdale (b. 1943)

Porcelain Vessel, “Tanami Trails”, series IV, 2005

Having an orange exterior depicting a hilly landscape

with an orange to red interior

Signed on base

$1,700 - 2,500

195

A Moorcroft Saardian Pattern Baluster Shape Vase

by Kerri Goodwin

Signed and dated “2001” on base

Height: 27cm

$1,400 - 1,800

196

A Large 19th Century Chinese Export

Polychrome Baluster Jar

Painted with peacocks and peony roses having

4 elephant lug handles

Chinese characters to base

Height: 37cm

$2,000 - 3,000

197

A Pair of 17th Century Italian Carved

Fruitwood Altar Figures

of the apostles Peter and Paul (A/F)

Height: 40cm

$3,000 - 4,000

198

A William Moorcroft Big Poppy Pattern Vase  c. 1925

Height: 25cm

$2,700 - 3,400

199

A William Moorcroft Massive Orchid Pattern Vase

c.1920’s

with a flambé glaze (A/F)

Height: 33cm

$4,000 - 5,000

200

A Moorcroft Knypersky Pattern Vase

Signed with initials and dated 2003 on base

Height: 31cm

$1,000 - 1,400

Lots 1 - 100